Fav Authors and Books

  • Elizabeth Gilbert
  • Chimamanda Ngozi Adichie
  • Katherine Boo
  • Vikram Seth

Tuesday, September 26, 2006

Bhutan Musings

If there’s one thing that will strike you about Bhutan, it may be its picture-perfect uniformity. Approaching the city after enduring the tortuous drive from India-Bhutan border town Phunsoling to the capital, Thimphu, is almost like stepping into a childhood fairy tale: it’s as if a giant painter had - on a richly-hued landscape of mountains, waterfalls and streams - painted a person, a house, a monastery and a government building – and multiplied the image to produce the country of Bhutan.

Of course, this oversimplifies the variety of peoples and communities present in Bhutan, but government decrees to preserve Bhutan’s distinctive Tibetan Buddhist culture have brought a degree of national uniformity unlike any other part of the world. All Bhutanese nationals, irrespective of class or community, must wear the national dress every day, or face stiff fines of upwards of Rs. 600. The design and structure of all buildings must follow a specific architectural code; the decorative, painted exteriors and pagoda-like design of buildings are based on an architectural style typical of traditional Bhutanese homes.

However, don’t let the uniformity fool you into believing that there is no place for individual expression in Bhutan. A quiet revolution - not in the sense of anti-nationalist sentiment, but in the sense of a greater acceptance of individual thought - has been sweeping Bhutan since the mid-90s, and its pace is accelerating, especially as the nation makes its first steps towards democracy. In an internet cafĂ© in the India-Bhutan border town of Phunsoling, I spotted a young Bhutanese school student - in stylish shorts and t-shirt – chatting away on MSN while simultaneously viewing foreign football scores. In excellent English, he asked me where I was from and gave me a few tips on traveling through Bhutan. When I ask him why he was dressed in obvious violation of the law, he grinned and said, “In the capital they are strict about the dress code, but I prefer to wear this!” As I got up to leave, he asked me nonchalantly, “Can I have your email address?”

Though in today’s world it may seem that email id’s have become inextricable from personal identities, it is remarkable in Bhutan because prior to 1998, internet and television did not (legally) exist, in a further effort to preserve the nation’s culture. Not surprisingly, it hasn’t taken Bhutanese long to get hooked on to both. “I didn’t even know what cricket was until high school,” a twenty-something Bhutanese playfully lamented. “Now, Bhutanese children as young as four are playing cricket because of cable television!”

It’s surprising to think that the television is so recent an entrant in Bhutanese life, for it is nearly ubiquitous in homes, shops and restaurants. And the Bollywood fan traveling to Bhutan will not be disappointed: Bollywood films and faces are the rage, as is Indian television. In fact, many Bhutanese – even those from remote parts of the country – have learned Hindi solely by following Hindi shows and TV serials. Pema, a hotel receptionist in the scenic town of Paro, tells me candidly that the Hindi she has learnt has been gleaned from Indian cable television’s infamous soap operas that she is glued to. “I don’t understand,” she says in her heavily-accented Hindi. “People say that in India none of these love affairs happen, but in [insert name of soap opera here], everyone is having an affair with everyone else!”

India does have strong ties with Bhutan, of which Bollywood is merely one. Nearly all consumer goods in Bhutan are produced and supplied by India; a walk into any grocery store blatantly announces this fact. At the famous Sabzi Bazaar in Thimpu – a weekend market where vegetables, clothing and trinkets are sold - I selected and purchased what seemed to me to be a traditional “kira”, the national costume for Bhutanese women. A minute later, upon learning that I was from India, the vendor casually mentioned that the skirt, like most textiles in Bhutan, was manufactured in India.

While it may seem difficult to escape India while in Bhutan, the country’s deeply Buddhist culture gives it a flavor uniquely its own. Religion forms the purpose of much Bhutanese artwork, and Buddhist art is present everywhere. Prayer wheels - cylinders with written prayers that are to be turned in a clockwise motion – are seen in monasteries, as well as in garden squares and outside homes. Stunningly beautiful, gigantic prayer wheels have even been constructed at waterfalls, where the force of the water keeps the wheels turning perennially. Multi-colored prayer flags, inscribed with auspicious symbols, prayers and mantras, dominate the green landscape, symbolizing happiness for the flag planter and those in the vicinity of the flags.

Indeed, while it is worth visiting Bhutan simply to experience the uniqueness of its culture and the beauty of its landscape, its cities are well-planned and worth visiting. The capital city of Thimphu is home to the kingdom’s administration and monarchy, and colorful buildings of both bejewel the landscape. Though the largest city in the country, its population – like Bhutan’s – is surprisingly small, roughly 50,000. The popular tourist town of Paro, 60 km from Thimphu, lies in one of Bhutan’s most scenic valleys, and as the centre of ancient trade routes to Tibet, is historically significant. The emerald-green Paro river (Pa Chu) intersects the valley, and above the river stands the 17th century Paro Dzong (fort), overlooked by a magnificent watchtower built in the same time period, which has now been converted into the National Museum of Bhutan.

Paro’s greatest attraction for me, however, was a fortuitous dinner at Red Rice Kitchen, a restaurant among the rare breed of dining establishments that a foreign tourist often seeks but rarely finds: one that conjures memories of a people, a culture and a place long after the traveler has departed. The restaurant, exquisitely decorated and with the soothing ambience of a comfortable Bhutanese home, spun finger-licking food in its culinary chambers, but the highlight of the evening – my last in Bhutan - was meeting the restaurant’s proprietor, Wangda Tobgyal. In 2005 Tobgyal and two friends became the first people in the world to cycle around Bhutan, a 2000 kilometre feat that took them 24 days. True to their “Bike for Life” motto, the trio traveled to schools across the country raising awareness about HIV/AIDS and drug abuse. Despite his humble demeanor, I discovered that Tobgyal was a keeper of many talents – he is a photographer, trekker, fly-fisher and director of a travel agency called Lakhor – and, like many other Bhutanese I’d met, deeply passionate about his country. Our conversation spilled over into the hours, and when I rose to leave he presented me with a “Khada”, a traditional Bhutanese ceremonial scarf. The restaurant’s setting, the gift, and our conversation seemed to represent the attitude towards Bhutan among the people I’d met: respectful of past traditions, hopeful of the present, and excited for the future.

*******************
An edited version of this story will appear in The Hindu in October.

Thursday, September 14, 2006

Bhutan







1. At Thimphu, looking at the monarchical and government headquarters

2. Bhutan sky, while driving up to Thimphu

3. A bridge over the Thimphu river, festooned with prayer flags

4. An old woman knitting, Paro

5. Falling rain at the Paro Dzong, a 17th century fort in Paro

6. A monk at the Paro Dzong

Wednesday, September 13, 2006

Nathula Pass







East Sikkim's Nathula Pass, at 14,000 ft, is simply stunning. Overlooking Tibet, it is the India-China bordertown and is historically significant as it was a major trading point on the Old Silk Route. The first photograph is of Changu lake, a beautiful lake that is extraordinary as it's at a height of 12,400 feet!

Tuesday, September 12, 2006

Soulitudes

Cultural tourism

Off the beaten track

SMITA JAIN

Companies like the Mumbai-based Soulitudes are trying to redefine the notion of `holidays' and `responsible' tourism.



Enabling connections: Anant Van in Bandhavgarh, Madhya Pradesh.

A TRIP through Bandhavgarh with Shyam Benegal. A trek through the Himalayas with mountaineer, actress and photographer Dipti Naval. A musical extravaganza, in the lap of the Himalayas, with eminent classical musicians from around the country.

In a world of off-the-shelf, one-size-fits-all travel packages, these tours may sound too good to be true. Yet these are just some of the tours offered by Mumbai-based Soulitudes, a company that aims to allow visitors to explore India's artistic, spiritual and cultural landscapes through travel.

Immersive travel

"Soulitudes is a vehicle for immersive travel centred around India's ecological, historical and spiritual heritage. We aim to share this land with travellers in a manner that is warm and intimate," says Soulitudes co-founder Shobana Jain. "Our endeavour is to create a travel experience that rises above the transient nature of modern travel," adds her husband and Soulitudes' co-founder, Ram Badrinath.

Having travelled extensively in different parts of the world, Ram and Shobhana were disappointed with the offerings of mainstream travel companies in India and decided to begin their own travel company with a difference. "Travelling through Europe, we realised the best holidays we had were in our friends' homes," says Ram. "In Paris, for instance, we didn't stay in a hotel but our friend's grandmother's 80-year-old house in a suburb of Paris. We were invited for meals and local celebrations. In Tuscany, we explored off the beaten path and came across art workshops in Tuscan Villas. It struck us then that India had so much to offer and we decided to return to India to set up Soulitudes. Fortunately, as we travelled across the country, we came across people who shared our view of travel and our experiments with such travel began," he adds.

Though they provide customised tours for individuals and groups, Soulitudes doesn't see itself as an ordinary travel agency, but rather as an agent of change — both internal and external. Says Ram, "Our vehicle for change is Indian culture and diversity. Through our association with eminent writers, classical musicians, musicologists, dancers, photographers and historians we will help seekers observe, absorb and connect. The programmes are set in beautiful distant places which enable self-reflection."

In many respects, companies such as Soulitudes are redefining traditional notions of "holidays" and are fulfilling the needs of a growing community of global travellers interested in "responsible tourism" — travel that promotes a deeper understanding of a place and its people and also includes a responsibility to limit the extent of the sociological and environmental impact that a holiday may cause. Christine Chardonnens, originally from Switzerland and currently residing in Delhi, says she has been grateful for the opportunity to explore India through Soulitudes. A veteran of numerous tours, she is looking forward to joining in on more Soulitudes holidays. "I find that Soulitudes offers a very refreshing concept of a holiday, one that is intellectually stimulating. It is an opportunity to learn about Indian art — music, photography, cinema, among others — from highly-respected individuals in their field."

Eco-friendly

Soulitudes also strives to situate its activities in eco-friendly lodges and resorts in order to inculcate respect for India's natural heritage. Some of their tour partners are Banjara Camps, Himalayan Village and Anant Van, each of which is run on the principles of responsible tourism. Ultimately, Soulitudes aims to provide an integrated and holistic perspective on travel to provide fun and relaxing holidays for travellers - and also fuel a deeper interest in India's rich cultural heritage. For more details, contact Shobhana and Ram at +919892692809 or +919820889808.